It’s really difficult to get ones motivation up when the day is stormy. I was sitting down to write, without a lot of thought going through my head – when “Riders on the Storm” started going through my head. I looked it up on Youtube, and found some interesting facts about it on http://www.songfacts.com. The Doors are actually before my time (I know, I know, I just had a birthday – but I’m not that old!), and I have to be in a certain frame of mind to get into them. Guess tonight is the night. However, just because I wanted a lift, I also added Snoop Dogg’s version of it. What’s your favorite?
This was the last song Jim Morrison recorded. He went to France and died a few weeks later. The single was released in June, 1971, shortly before Morrison’s death.
The song can be seen as an autobiographical account of Morrison’s life: he considered himself a “Rider on the storm.” The “killer on the road” is a reference to a screenplay he wrote called The Hitchhiker (An American Pastoral), where Morrison was going to play the part of a hitchhiker who goes on a murder spree. The lyrics, “Girl you gotta love your man” can be seen as a desperate plea to his long time girlfriend Pamela.
As it says in Jim Morrison: Life, Death, Legend by Stephen Davis, in 1962, while Jim was attending Florida State University in Tallahassee, he was seeing a girl named Mary Werbelow who lived in Clearwater, 280 miles away. Jim would oftentimes hitchhike to see her. “Those solitary journeys on hot and dusty Florida two-lane blacktop roads, with his thumb out and his imagination on fire with lust and poetry and Nietzsche and God knows what else – taking chances on redneck truckers, fugitive homos, and predatory cruisers – left an indelible psychic scar on Jimmy, whose notebooks began to obsessively feature scrawls and drawings of a lone hitchhiker, an existential traveler, faceless and dangerous, a drifting stranger with violent fantasies, a mystery tramp: the killer on the road.”
This evolved out of a jam session when the band was messing around with “Ghost Riders In The Sky,” a cowboy song by Stan Jones.
The Doors brought in bass players Marc Benno and Jerry Scheff to play on the album. Scheff came up with the distinctive bass line after Manzarek played him what he had in mind on his keyboard. It took a while to figure out, since it was much harder to play on a bass than a keyboard.
Ray Manzarek used the electric piano to create the effect of rain.
This was the last song on the last Doors album with Morrison. Fittingly, it ends with the storm fading slowly to silence. The remaining Doors released 2 more albums without Morrison before breaking up in 1972. In 2002, Kreiger and Manzarek reunited as “The Doors Of The 21st Century.” Densmore, who says he wasn’t invited to join them, went to court and eventually got a ruling preventing the group from using The Doors in its name, so they changed their name to “Riders On The Storm” after this song.
If you listen closely, you can hear Jim Morrison whispering the lyrics over his own singing. This causes a kind of creepy effect.
Paul Rothchild, who produced The Doors’ first 5 albums, decided not to work on this because he didn’t like the songs. He thought this sounded like “cocktail music.” The Doors ended up producing it themselves with the help of their engineer, Bruce Botnick.
The single was shortened for radio play. Some of the piano solo was cut out.
In year 2000, the surviving members of the Doors taped a VH1 Storytellers episode with guest vocalists filling in for Morrison. Scott Stapp from Creed sang on this.
Creed contributed a version of this to the 2000 Doors tribute album Stoned Immaculate. Creed also performed it with Doors guitarist Robbie Krieger at Woodstock ’99. Krieger sat in on Creed’s “What’s This Life For?” during the set.
Doors drummer John Densmore wrote a book called Riders On The Storm about his life with Jim Morrison and The Doors.
Eric Red, the screenwriter of the 1986 film The Hitcher, has said that his screenplay was inspired by this song. He said in an interview with DVD Active: “I thought the elements of the song – a killer on the road in a storm plus the cinematic feel of the music – would make an terrific opening for a film. I started with that scene and went from there.”
When the 71-year-old Ray Manzarak was asked by the Somerville Journal in March 2010 if he turns up or turns off Doors music when he hears it on the radio, Manzarek said, “Oh, God, turn it up! Are you kidding? Living up in northern alifornia, it rains a lot, so they play the heck out of ‘Riders on the Storm.’ And when that comes on, I crank that sucker, man.”